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Beyond the Blue, 2024

Perspiciatis unde omnis iste natus error sit voluptatem.

Today, all the crimes that people commit against nature, as if they want to punish it, reveal the realities that we will have to face in the future. From past to present, divine punishments imposed on crimes against the laws of nature have brought disasters to humanity such as drought, earthquake, flood and hunger. The apparent possible consequences of humanity’s current inaction towards crimes were previously brought face to face with the audience by the artist with the “Nemesis” exhibition. However, according to the artist, nature has imprisoned the solution within itself, just like the never-lost hope in Pandora’s box. Hope; it is as short and time-less as the life of a butterfly. It is as delicate and weak as the flapping of its colorful wings. It is as surreal and hypnotic as its dream.

In her recent works; artist questions the understanding of a world in which humans destroy nature, examines the concept of “seed” symbolizing the rebirth of nature. The seeds that we give one to the soil and get a thousand from, are actually the symbol of abundance and the diversity of life. Mother Earth, which contains all kinds of richness, shows us all her generosity. The exploitation of people who always want more will end with the abundance and fertility of the seeds. Despite everything, nature sincerely responds to every step taken towards it. Although transformation is difficult, it is not impossible, it just requires time and patience.

In her works where she tries to raise social awareness by questioning the destruction of nature by humans with the concept of “seed”, the artist proposes to humanity to start over from a barren and exhausted world. Traces of this rebirth are clearly emphasized on the colorful surfaces of the works presented in the exhibition. The most striking colors of nature, yellow, red, turquoise, blue, green and purple tones creates contrast on dark backgrounds and promise the hope. The Works are presented to the audience with a ceramic installation and unit repetition in symbolic seed forms.

Associate Professor Sevinç Köseoğlu ULUBATLI

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